The Sacrament (Review)

2014

95 min

United States

Director: Ti West

Writers: Ti West

Stars: Joe Swanberg, AJ Bowen, Kentucker Audley, Gene Jones

Release Date: September 2, 2013 (Venice Film Festival), June 6, 2014


The Sacrament unfolds fairly predictably, but makes a star out of Gene Jones and the cameras themselves in the process.

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I kicked off this year's 31 Days of Horror with The Sacrament, the sixth feature film from writer/director Ti West. It's fitting because I began this tradition month-long movie marathon tradition two years ago by watching The House of the Devil, an '80s throwback by West that deeply impressed me. That film might be the slowest burn I've ever seen; it's practically 90% build-up before the film finally lives up to its name. West has made a career out of the delivering tension by degrees until the situation has become a boiling room of suspense. And so I was surprised when The Sacrament became alarming relatively early in its running time.

This faux documentary (an important distinction from both found footage and mockumentary) follows a couple of reporters for Vice played by AJ Bowen and Joe Swanburg. Being an occasionally audience of Vice's content, I can report that the tone and feel of their investigation into Eden Parish, a radical and isolated spiritual commune, is spot on. Their gateway to this community (*cough* cult *cough*) comes from a co-worker's sister, a once drug addict who was saved by the guidance of a leader they call Father. Within no time we're joining the journalists on their journey to this utopia, as skeptical as they are.

They've created their own little paradise, free of the prejudice and pressures that we deal with in everyday life. Many of the people they interview seem grounded and grateful for what Father and the parish have done to their lives, but there's plenty of suspicious signs along the way. Including the behavior of their friend's sister when they press to much. That and the rifle toting "guards" watching the perimeter.

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After mingling with the sheep they're eager for an exclusive sit-down with the shepherd. For Father they casted Gene Jones, a face I knew I'd seen before but couldn't place it. Turns out he played the Gas Station Proprietor in No Country For Old Men, a most memorable single-scene encounter. This elder has only been doing onscreen work the last 10 years and it's safe to say this is a star-making performance for him (he's on the film's poster after all). It's never too late to start. During the interview it's easy to see why the man is so enigmatic and beloved... and all the more dangerous

The Sacrament unfolds fairly predictably. It is a horror film after all and something terrible was always in the card. It loses some of its effect in the events that follow, but gains them back in some crucial scenes/shots. One thing I especially admire about West as a horror filmmaker is his ability to make occurrences set outside and in broad daylight be scary, something especially evident in "Second Honeymoon," his brilliantly unsettling contribution to V/H/S. Furthermore, it's fascinating to see how the camera is used and how it gets a new videographer when the chaos reigns. Many of the found footage films we see these days lack any convincible reason to keep rolling. I guess the film owes a lot to the prying practices of Vice.

We were doing something great down here. We were gonna change the world. This was only the beginning. Why couldn’t you leave us alone? What harm were we doing down here?
— Father