The NeverEnding Story (Review)

1984

102 min

West Germany / United States

Director: Wolfgang Peterson

Writer: Wolfgang Peterson & Herman Wiegel, Michael Ende (novel), Robert Easton (additional dialogue)

Stars: Noah Hathaway, Barret Oliver, Tami Stronach

Release Date: April 6, 1984 (West Germany) / July 20, 1984 (United States)


The NeverEnding Story leaves plenty to be desired, but the world and its inhabitants are nothing short of magical.

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The NeverEnding Story is Wolfgang Peterson's adaption of the German novel of the same name, one revolving around a fantasy world and the human boy who would enter it. The opening credits are set amidst the clouds where Bastian's head is clearly at in the beginning of the story. After a familiar "face your responsibilities" chastisement from his father over breakfast, Bastian is heading to school when he is chased by bullies into a bookstore. Inside, a curmudgeonly old man informs him the arcade is across the street. Bastian is a bookworm and knows that these "rectangular objects" are capable of transporting the reader into infinite worlds and just as many possibilities. When the shopkeeper tells Bastian of the dangerous volume before him, "The NeverEnding Story," which provides fantastic escapism but to the point of no escape, the lad "borrows" it and runs off to read it.

For anyone who has a soft spot for fantasy, the opening description of a forest on a windy night where something sinister is afoot will get you giddy. It works its magic on Bastian and that's when the story within the story finally kicks in. We find ourselves in Fantasia (clever), a world threatened with the Nothing (cleverer) coming in like a storm and obliterating everything in its path. We meet some desperate parties: a rock-biting golem the size of a building, a hatter who rides a racing snail and a sniveling hob-goblin. Each of these initial and consequent creatures are a delight to watch and fulfill the promise set forth from the film's poster. That doesn't always happen (Bridge to Terebithia).

The spectacles come with the realm and they do not cease: A boy leading a noble horse through the swamp of sadness, a hill that turns out to be a turtle allergic to youth and the (in)famous luck dragon who looks like he has some dog in his ancestral line. At the time of its making, The NeverEnding Story was Germany's most expensive film to date. The advanced puppetry and effects on display are enough to make even Jim Henson blush. The locales we visit along the way are a mix of impressive sets and fittingly found locations.

The fate of Fantasia lies within the hands of a warrior child, Artreyu. Barret Oliver and Noah Hathaway play Bastian and Artreyu respectively. Along with Tami Stronach, who plays the Empress, we have three solid child performances for the price of one. They are also the most important characters in the story and it's no wonder the kid-centric film became so successful and popular. 

The proceedings are in accordance with the myriad of "chosen one" quests that have come before it, but finds some new territory when the line between the worlds is blurred. There's even an odd moment when we, the audience, are referenced and the film attempts to throw rocks at the 4th wall (a story within a story within a story). The predictability is not as problematic as the film's placid pacing. It feels like we're going through that swamp more than in just that scene. Then there's the utter lack of an ending, excused by the unhelpful narrator with, "But that's... another story."

The NeverEnding Story is now 30 years old. The storytelling leaves plenty to be desired (then and now), but the world and its inhabitants are nothing short of magical. Time will continue to tell how practical effects are naturally made to last, they also literally lasted to be used in two sequels in the 1990s. It would also seem that this had an influence or two on the film version of The Princess Bride. It too follows a relatable young boy getting swept into the pages of a mystical adventure put before him by an elder. The Princess Bride also uses this as a framing device to have a story within a story, and there it is perfected. The best books and films bare a sweet satisfaction when completed. The NeverEnding Story never quite-

No, I’ve read Treasure Island, The Last of the Mohicans, Wizard of Oz, Lord of the Rings, 20,000 Leagues Under the Sea, Tarzan.
— Bastian